{"id":998,"date":"2026-01-27T18:37:14","date_gmt":"2026-01-27T17:37:14","guid":{"rendered":"https:\/\/www.projectmindthegap.it\/mindthegap2026\/artists\/estendere-la-percezione-ambienti-immersivi-e-logica-dellatmosfera\/"},"modified":"2026-04-16T10:18:16","modified_gmt":"2026-04-16T08:18:16","slug":"extending-perception-immersive-environments-and-the-logic-of-atmosphere","status":"publish","type":"post","link":"https:\/\/www.projectmindthegap.it\/en\/events\/extending-perception-immersive-environments-and-the-logic-of-atmosphere\/","title":{"rendered":"Extending perception: immersive environments and the logic of atmosphere"},"content":{"rendered":"<p>This presentation aims to investigate the connections that have developed in the field of contemporary artistic creation since the 1990s. By intertwining the analysis of various case studies \u2013 from the work of Herman Kolgen to that of Ryoichi Kurokawa, passing through Granular Synthesis, Shiro Takatani | Ryuichi Sakamoto, among others \u2013 we intend to focus our analysis on the notions of <em>immersive environment<\/em> and <em>atmosphere<\/em>.<\/p>\n<p>We cannot define as <em>present<\/em> only that which is perceived by the senses. In order to detect the forms in which entities manifest themselves \u2013 all those presences that act at the limits of the resolution power of the sensory organs \u2013 we need to develop a strategy that makes them visible and audible.<\/p>\n<p>This observation introduces a compelling reflection on the relationship between art and technology | art and science: every work of art that involves technology clarifies the limits of human perception and at the same time allows it to be intensified. In other words, technology, before being a tool, is a form of thought: it allows us to make visible and audible what is not yet so. Starting from these assumptions, we will thus define the aesthetic framework of the notion of <em>immersive environment<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Free admission until full capacity is reached.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This presentation aims to investigate the connections that have developed in the field of contemporary artistic creation since the 1990s. By intertwining the analysis of various case studies \u2013 from the work of Herman Kolgen to that of Ryoichi Kurokawa, passing through Granular Synthesis, Shiro Takatani | Ryuichi Sakamoto, among others \u2013 we intend to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[],"class_list":["post-998","post","type-post","status-publish","format-standard","hentry","category-events"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.2.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"This presentation aims to investigate the connections that have developed in the field of contemporary artistic creation since the 1990s. By intertwining the analysis of various case studies \u2013 from the work of Herman Kolgen to that of Ryoichi Kurokawa, passing through Granular Synthesis, Shiro Takatani | Ryuichi Sakamoto, among others \u2013 we intend to\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"r3m1g10\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/www.projectmindthegap.it\/en\/events\/extending-perception-immersive-environments-and-the-logic-of-atmosphere\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.2.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"MIND THE GAP -\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Extending perception: immersive environments and the logic of atmosphere - MIND THE GAP\" \/>\n\t\t<meta property=\"og:description\" content=\"This presentation aims to investigate the connections that have developed in the field of contemporary artistic creation since the 1990s. By intertwining the analysis of various case studies \u2013 from the work of Herman Kolgen to that of Ryoichi Kurokawa, passing through Granular Synthesis, Shiro Takatani | Ryuichi Sakamoto, among others \u2013 we intend to\" \/>\n\t\t<meta property=\"og:url\" content=\"https:\/\/www.projectmindthegap.it\/en\/events\/extending-perception-immersive-environments-and-the-logic-of-atmosphere\/\" \/>\n\t\t<meta property=\"article:published_time\" content=\"2026-01-27T17:37:14+00:00\" \/>\n\t\t<meta property=\"article:modified_time\" content=\"2026-04-16T08:18:16+00:00\" \/>\n\t\t<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n\t\t<meta name=\"twitter:title\" content=\"Extending perception: immersive environments and the logic of atmosphere - MIND THE GAP\" \/>\n\t\t<meta name=\"twitter:description\" content=\"This presentation aims to investigate the connections that have developed in the field of contemporary artistic creation since the 1990s. 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